Week 38

The autumn equinox this week heralded the start of probably my favourite season. Long-sleeved dresses, thick tights, woolly jumpers and warming food. I look forward to Harvest festivals, Halloween and bonfire night, and a new batch of cookery books.

Theatre

Shakespeare’s Globe

Tristan Bernard: Boudica 

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The Globe is a much better experience when the weather is cooler. And it pays to invest in a seat in the gallery, a seat cushion, and a backrest. Comfortably ensconced, I thoroughly enjoyed this play. Gina McKee is a wonderful actor, of course, and the rest of the cast were brilliant, too. The atmosphere was wonderful, and the production was well worth seeing. The subject matter is well-known, and this was a straightforward telling of the story, but with a main theme being the differing aftermaths of the two daughters’ experience at the hands of the Romans.  It was gritty at times, and funny at times -I liked the dry humour of the Roman sentries and the brilliant choice of “London Calling” for the musical interlude. I recommend this.

 

Reading

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Three titles this week, bringing my progress towards my 100-books-in-2017 reading challenge to 75. The first up is one of Georges Simenon’s Maigret books, in audio CD format. I have to admit that I won this, rather than bought it.  Maigret is one of those detectives that everyone knows about. In my case, from very old TV programmes that I wasn’t that struck on. I do like the new Rowan Atkinson Maigret, and I hadn’t read any of the books until after seeing this version. I find the books themselves quite ordinary, and there are so many (76) of them. As with so many works that are translated to English, the story loses something in the translation, and I am never sure that I am hearing the author’s authentic voice. However, I found the audio recording of this story more enjoyable than I think I would have found the reading.

The second book is another crime novel, set in Reykjavik, and by one of my favourite authors, Arnaldur Indridason, who is one of a few authors who doesn’t seem to suffer in translation.  This is the first in a new series that does not feature dour detective Erlendur. I think I am going to like the new guys.

Finally, my first new cookbook for a while.  It does exactly as it says on the cover, and I have the six-hour lamb in the oven as I write this.

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Week 37

Theatre

Arts Theatre

Samuel Becket: Waiting for Godot

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This is a play I have waited for a long time to see. I dearly wished to see Sirs Patrick Stewart and Ian McKellan as Vladimir and Estragon, but that was not to be. This version was Irish through and through, and had some moments of comedy breaking up the bleakness. I found Pozzo and Lucky very irritating, but Didi and Gogo were excellent.

Once again, I found that I had been moved to a stalls seat (always a problem for me in these little theatres, as it usually involves negotiating a LOT of steps) because of a small audience. I really wish that theatres wouldn’t do this. And this time they were very high-handed about it -as if they are granting you the great privilege of paying £50 for a cold, noisy seat in a half-empty theatre.

The play itself was good,  but the cast must have been as fed up as the audience with the noise leaking in from the basement bar next door.  I can’t recommend this as a venue, sadly.

Art

Illustration Cupboard Gallery

David McKee: 50 Years of Mr Benn

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I like Mr Benn, and was pleased to see this exhibition.

The pictures were mostly straight from the books, with some animation cels. The gallery is very small and tightly packed. There were three other people in the main room when I was there, and it felt like a crowd.

IMG_0925My favourite item was a design especially commissioned by Turnbull and Asser (the tailor next door to the gallery).  It is Mr Benn as James Bond, and is going to be a silk pocket square that is sadly just too small to be used as a neck scarf. (I popped next door to enquire, just to be sure).

 

Week 36

The Arts can often be an antidote to the grim reality of life. At other times they can be cathartic, allowing release.   This week’s outings were all produced by women, and all addressed the hard parts of life.

Theatre

Dorfman Theatre

Lucy Kirkwood: Mosquitoes

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This play has been the season’s hot ticket. A complete sellout from the beginning of the booking season, only two tickets allowed per customer, and only very occasionally appearing in the “Friday Rush”. I managed to bag the single ticket on offer for the performance I saw, and it was well worth the effort I had gone to in order to get that seat.  Olivia Colman was absolutely wonderful as the most damaged (and damaging) relative anyone could ever have. Scientific themes threaded through this excellent play, but it was accessible to the non-nerd.  I loved it.

Art

White Cube: Dreamers Awake

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A very comprehensive feminist surrealist exhibition, curated by Susanna Greeves and featuring work by (amongst others) Tracy Emin, Mona Hatoum, Sarah Lucas and Louise Bourgeois. There were some beautiful works, some very peculiar works, some that were hard to look at. None of it left me unmoved.

Dance/Video

Rosie Kay Dance Company: 5 Soldiers

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This piece was staged during a local festival back at the beginning of the summer. I wasn’t able to get to it then, and so was really pleased to see it being live streamed from an actual army base this week.

The dance shows the progress of five soldiers through their training and deployment. The interaction between the recruits and their officer, and between themselves were very well portrayed, with some difficult moments between the sole female soldier and her male colleagues played out effectively. One of the soldiers suffers a life-changing injury during deployment, and this is addressed well.

 

The female perspective made all of my “culture”  difficult to look at this week. There seemed to be a specific harshness about life itself in these pieces.

Week 31

This week’s cultural outings took me to the Isle of Dogs and Blackfriars, both parts of London better known for commerce than art. Both were fringe performances, both tiny venues and tiny casts, both biographical accounts.

Theatre

The Space

New Diorama Theatre: 12 Million Volts

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This was an interesting account of the life of Nikola Tesla, performed with a lot of fast-paced physicality by the cast of three men and one woman, who interestingly, did most of the heavy lifting in the show. There was some very clever use of lighting, including backlighting and projection on a bubble-wrap screen – something I hadn’t seen before. I enjoyed the play, but was disappointed that there was no sign of a Tesla coil.

Opera

Bridewell Theatre: Opera in the City Festival

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My first “festival gig” was the second biography this week:

Andrew Bain: Lanza

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This was less an opera than a monologue with arias. It was sung very well by Andrew Bain, who is clearly a Mario Lanza fan. I like a good tenor voice, and this was very enjoyable, despite a very distracting shirt-buttoning mishap in the first act.

 

SUMMER book challenge

My second “M” is Montefiore.

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I like a tale of Russian intrigue, so I was looking forward to reading this.

It was okay. An easy read, a fairly obvious ending, but I didn’t warm to Sashenka at all, and I didn’t really like the neat way it was all tied up at the end. A bit disappointing, as the author is so lauded.

 

 

Week 29

The cough is beginning to abate, St Swithin’s day was wet (always good news for me) and there have been some cooler days. Almost back to normal!

Theatre

Southwark Playhouse

Oliver Cotton: Dessert

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This play was sadly not as tasty as its poster promised it would be. It was a “rich man gets his comeuppance” drama that fell flat for me. The first act was ok, but I found the ending a little bit silly and very unsatisfying. I expected more from a play directed by Trevor Nunn.

Pop Culture

IMG_0289The new Dr Who has been unveiled as Jodie Whittaker. I am pleased that the show runners have finally chosen a woman to play this iconic role, but I do wish they’d gone a bit further out on their limb. I suppose a young, classically pretty, blonde white woman is a first baby step…

Books

SUMMER reading challenge

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This week’s author is Ugrešić, who has written an odd little three-section story. I chose this to try to widen my range of reading to (a) include more female writers, (2) read works from a wider range of cultures (in this case, Croatia), and (iii) include more “non-genre” titles.

Section one is a first-person narration of an uncomfortable mother/daughter relationship, from the point of view of the daughter. The second section seems completely unrelated – a sort of “road trip” undertaken by three women, none of whom seem to have any connection to anyone from the first section. The final section seems to be a long note from a translator/researcher to a publisher, detailing many aspects of the Baba Yaga stories in an almost-Wikipedia style, and relating them quite tenuously to sections one and two. Only at the end do we find out that the academic who has written this note is called Aba Bagay…

Other reading:

IMG_0291Bluets is a strange little thing. I bought it because it claimed to be about the author’s love of the colour blue, and because I have recently discovered a liking for the colour for myself after suffering many years of school-uniform induced blue-phobia.

I found the paragraph-numbering odd and not very consistent, and the continuous references to a lost lover irritating. Nelson refers to turquoise as a shade of blue (several times) , which is annoying because clearly, turquoise is an entirely separate colour.  I assumed the title was a made-up word; a term coined to describe “bits of blue”, and was actually quite disappointed to discover it is the name of a flower. I know other people like this a lot. It didn’t really do much for me, but don’t let that stop you reading it for yourself. You might love it.

Week 28

The cough persists, but is slowly receding, and fortunately leaving me enough time between bouts to be able to enjoy stuff without annoying my neighbours too much.

Theatre

Union Theatre

Tim Rice/Stephen Oliver: Blondel

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It seems that I am gradually coming round to an enjoyment of musicals. (Not all of them, though!)

Blondel is a very early Tim Rice offering, and was good fun, if a bit panto-ish. There were some outstanding moments, great voices, and some excellent characterisations, including the best Prince John since Alan Rickman.

The Union is a theatre best experienced in winter, I think. The summer heat inside this little railway arch was oppressive, and the seats are packed in with very little legroom. I was seated near a portable air-conditioner, which was noisy and didn’t do much to cool the air. On the plus side, the cafe is good, with lots of outside space.

Opera

ROH/ Big Screen

Puccini:Turandot

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These “big screenings” are an event with their own style. Picnic suppers, live-tweeting and singing lessons in the intervals.

I wasn’t able to get to the local Big Screen this time, and so missed my traditional Wimpy takeaway picnic,  but because it was a live stream, I was able to join in via my iPad, with a home-delivery KFC picnic on the sofa. (Sadly, Wimpy have not joined the home delivery market yet.)

Turandot is spectacularly problematic. One of the best arias ever in Nessun Dorma, but as bad in its treatment of women as you could find pretty much anywhere.

i live in hope that one day I will see a performance of this opera that does not use yellow-face. It must surely be possible to find Asian singers; or if not, to change the setting so it is not so obviously Chinese.

Ballet

ROH/BBC4

Wayne McGregor: Woolf Works

IMG_0515I confess to not being a ballet lover. I like some dance, but generally speaking, big ballets leave me fairly cold.  Having said that, occasionally one will catch me out. This week the BBC broadcast a live-ish production of Woolf Works from the Royal Opera House, and I was captivated. The music was modern, costumes were beautiful, design was excellent and the dancers were wonderful. i particularly liked the middle Orlando section,  and this has spurred me to download a copy of the book to add to my to-read list.

 

Theatre/Cinema

Donmar/Picturehouse

Shakespeare: Julius Caesar

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Okay, so not live, but this film of Julius Caesar from the Donmar was one of the highlights of my cultural year so far. Outstanding performances by Harriet Walter as Brutus and Martina Laird as Cassius; some inspired design/props elements (particularly the red rubber gloves); and a bit of hard rock music, too. The use of a prison setting, and its incorporation into the play was clever, and the all-female, multi-ethnic casting was well-justified. I loved this, and recommend it to anyone, Shakespeare lover or not.

Books

SUMMER reading challenge

I decided to just read these one a week in the order they come, so, first up for this week was St Aubyn.

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There is a lot of hype about this author, and the book is certainly readable. It is also mercifully short, because the subject matter is shocking. I couldn’t understand why so much praise had been heaped on it, until I did a bit of research and discovered that it was autobiographical. That put a very different complexion on the story, and pushed me into buying the other four books in the series.

 

The rest of the Patrick Melrose series kept me occupied while I suffered with the lingering cough that stopped me sleeping this week.  I found this whole series bleak and populated with really unlikeable people. Thankfully, there is redemption at the very end of the last book.

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Week 27

This week was designated as “Hamlet Week“. Three possible performances – two of which I actually had tickets for. Then fate intervened, of course.

IMG_0260First up was Changeling Theatre and their outdoor offering. Great reviews, but, on the day I had booked, coinciding with the beginnings of a head cold, and, worse than that, FLYING ANT DAY. Sitting with a headache in a field of flying ants is probably one of my worst nightmares. I stayed home and re-read Ian McEwen’s “Nutshell”.

Next up was the new opera at Glyndebourne. Obviously too far away, but being broadcast live to cinemas. Irritatingly, I had already booked broadcast night to see another version of Hamlet, so couldn’t take advantage of the air-conditioning and cheap comfy seats in my local Picturehouse. I hope there will be an “Encore” screening at some point in the future.

The Hamlet I was most looking forward to was the Andrew Scott portrayal at the Harold Pinter theatre. Sadly, my head cold had developed by then into a full-on coughing and spluttering chest-based spectacular. I sadly returned my ticket.

 

I ended up on my sofa on Friday evening watching the most over-the-top filmed version anyone IMG_0262could possibly imagine. There are many reviews of this in the world, so I’m not going to add to them, except to say that I am certain that casting Derek Jacobi as Claudius must have been a Kenneth Branagh joke. (Actually, this Claudius was one of the best I have ever seen, and made the film much better than it might have been.) I could have done without Robin Williams, but Charlton Heston was wonderful.

Books

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First up, the afore-mentioned Nutshell, one of the Hogarth re-imaginings of Shakespeare. No prizes for guessing what this one is.

 

Other reading this week included two with “strange” female protagonists. Both are unreliable as narrators for various reasons which don’t become clear until the ends of their stories. Both well worth a read.

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Finally, I have set myself a challenge for the rest of the summer, which, for me, ends on August Bank Holiday. Here are my six SUMMER books, chosen by author surname initial.

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The aim is to read all these between now and August Bank Holiday (which marks the end of summer for me).

S: Never Mind (Edward St Aubyn)
U: Baba Yaga Laid an Egg (Dubravka Ugrešić)
M: Sashenka (Simon Sebag Montefiore)
M: A Constellation of Vital Phenomena (Anthony Marra)
E: The Name of the Rose (Umberto Eco)
R: Sidney Chambers and the Forgiveness of Sins (James Runcie)

 

Week 26

Halfway through the year, and I have kept my resolution of doing something “cultural” every week.  So far…

Theatre/Cinema

National Theatre Live

Yaël Farber: Salome

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I must admit to booking this under the impression that I was booking to see the RSC gender-bending version of Oscar Wilde’s play. (It was cinema-live, an easy mistake to make).

This version was touted as a feminist play, from a female viewpoint, but I’m not sure that anything with two on-stage rapes of the main character quite works in that way. The staging was imaginative, using the Olivier’s revolving stage very effectively. Costumes were good, acting was very stylised. The script switched between English and Arabic, with occasional subtitles helping the audience along. This was lovely to look at, but a bit short on substance. The best part was the beautiful throat singing of the two serving women.

Music

ENO at the Royal Festival Hall

Elgar: The Dream of Gerontius

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This was billed as a semi-staging, but it really wasn’t. There was an interesting lighting rig, and a lot of haze, but otherwise it was a straight concert performance, of the type that the Festival Hall was made for. The ENO chorus were breathtaking, and the 90 minutes sped past. The soloists were good (Gerontius himself being the weakest of the three); Simone Young kept the orchestra under firm control, and the performance received a well deserved extended ovation.

 

Books

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I haven’t actually finished any books this week, but I did come across a nasty little dystopian short story by Shirley Jackson. This was written in 1948, and there is a 1950s radio version you can listen to here.

Week 25

Theatre

Brockley Jack Studio

Edgar Allan Poe double bill

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It is so rare to get “goth” theatre.     I tried very hard to like this, but sadly, I didn’t. The first half was the Masque of the Red Death, a famously scary story that didn’t really work for me in this setting. Perhaps it was a bad night, but I’m afraid I didn’t wait around for the Fall of the House of Usher, scheduled for the hour after the interval.

 

Peacock Theatre

Taj Express

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This was a lot of fun. The Merchant family seem to be Bollywood legends; Vaibhavi and Shruti choreographed the production, with Salim and Sulaiman writing the music that linked the Bollywood standards. The dancing was good to my untutored eye, the costumes were spectacular, and the largely Indian family audience seemed to love it, despite (or perhaps because of) its adherence to Bollywood tropes. This was my first Asian dance  experience, and I would certainly go again.

Books

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Only one this week, but a good one. This is the second book about Yashim the eunuch. An interesting case story, with a brilliant sense of place. Reading this, you can hear and smell Istanbul, and almost taste the food Yashim loves to cook while he is pondering his cases.

This brings my reading challenge total up to 54. Still on target, but only just…

Week 24

It is the hottest week of the year (so far!), and I chose to go open-air, with mixed results. I went to the Globe theatre for the first time, travelling by boat. Sounds wonderful, doesn’t it? Sadly, I didn’t get to go home on the boat, because I was taken ill at the end of the performance. All praise to the first-aiders at the Globe, the paramedics and the wonderful staff at St Thomas’s hospital. Luckily, it was nothing serious and I got to home later the same night.

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Theatre

Shakespeare’s Globe

Knee-high Theatre: Tristan and Yseult

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This was wonderful. The theatre was everything I had hoped for. The production was modern, costumes very simple, acting excellent. The music was well-chosen- everything from Wagner to Daft Punk, and the actor-musicians were excellent. My favourite character was Yseult’s maid, played in panto-drag, but producing one of the deepest, saddest moments of the play. I loved this.

Exhibitions

Barbican Centre: Into the Unknown

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Getting into and out of the Barbican is always a nightmare for me. It is extraordinarily difficult for a less than perfectly mobile pedestrian. But once inside, what a wonderful exhibition this was. A perfect few hours for any science fiction lover. There were books, including a whole lot of Russian versions of classics; there were classic film extracts running at various points through the curved exhibition space; there were actual film props and costumes. There were robots! There were Stargate Goa’uld helmets! There was a new and strange film. There were video games.  There was everything, really. I liked this very much.

Public art

Anthony Gormley: Quantum Cloud

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I have a fondness for a Gormley, and Quantum Cloud is one of my favourites. It is right next to the Thames Clipper pier at North Greenwich. From the right viewpoint, you can see the figure inside clearly, but I didn’t quite get it this time.

Books

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I didn’t actually finish anything, but Bloomsday fell this week, and so I proudly proclaim That almost exactly a year ago, I  actually read Ulysses for the first, and most likely the last time.