Week 23

Theatre

Duke of York’s Theatre

Lee Hall: Our Ladies of Perpetual Succour

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I’m not an enormous lover of musicals, but this was new, and with the promise of music by ELO, could have been very exciting. Sadly, the dialogue was so profanity-heavy that I couldn’t really engage with it fully. The acting was good, the all-female cast and band did their job well, but it was sad to see all the characters were stereotypical “convent slags”. I’m afraid I couldn’t like this show.

Museums

The British Museum

Hokusai: Beyond the Great Wave

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The Hokusai exhibition was lovely. Many iterations of Fuji-San, of course, but so much more. There were a large number of Hokusai’s notebooks, and it was interesting to see the background work. I particularly liked the two large panels which were apparently the interior ceilings of carriages, one of which was reproduced on the mandatory silk scarf (which I duly bought). Once again, I was surprised that the main draw for me was so small. The famous Great Wave was tiny – hardly bigger than A4, but very beautiful.

Events

Senate House, UCL: 1984 Live

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This was a one-off all-day immersive event. A whole host of celebrity readers taking a chapter (ish) each. There was a bit of acting, some clever use of projection and lighting, and the slightly disturbing presence of “party” members dotted around. The star was the Senate House building itself – Orwell’s inspiration for the Ministry of Truth. I think my photograph has captured its air of menace very well.

Books

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This week’s reading was varied – a “light crime”, a psychological study of a possible criminal, and a prize-winning dystopia.

The Power is an interesting take on the differences/similarities between men and women. This might have disturbed me more if I had been a male reader, I think. It won the Baileys Prize, and while I am not sure it is great literature, it was an enjoyable read.

McGlue was a more difficult read, more “literary”, and less satisfying in its lack of firm conclusion. I don’t usually like first-person narration, but I liked this short novel very much, and will seek out more by this author.

The second Grantchester book was more interesting than the first. It moved away from the known (via TV episodes), seeing Sidney arrested in East Berlin, and finally resolving his long-term love interest (no spoilers for the TV show here).

Audio

Bob Dylan: Nobel Lecture

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Bob Dylan finally got round to making his Nobel-winner’s speech. You can listen to it here , but be prepared for long descriptions of Moby Dick, All Quiet On The Western Front, and The Odyssey. I’m not sure he is taking the prize seriously.

Public Art

Maggi Hambling: A Conversation With Oscar Wilde

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I’m not sure how I feel about this piece. The idea is clever – a bench whereon a conversation could take place, but it is a little too coffin-like for my taste, and Oscar’s bust is ugly, ugly, ugly. I have never seen anyone actually sitting on this, and I am afraid I didn’t sit down either.

Pop Culture

 (And a bit of Maths)

Dandelion’s retirement

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Crayola, the crayon manufacturer, has a new blue crayon coming online. It is a new pigment and needs a new name (the suggestion box has closed, and I really hope we don’t get Bluey McBlueface). Because of the new crayon, one of the old colours has to be retired, in order to keep the number of active colours at 120. Why 120? Well, the boxes hold multiples of 8 crayons…

Anyway, the crayon to be retired is Dandelion, a rather nice shade of yellow. I checked my own box of 24, and there it is. We used to call dandelions “wet-the-beds” when I was a child, and I am delighted that the French obviously still do.

Week 22

Sadly, this week’s post starts in a similar way to last week’s. Another terror attack, this time in London, and for the first time, south of the river. I was safely indoors when it happened, but just a few hours earlier, I had been at a theatre not too far from London Bridge, having a wonderful time. It is hard to just carry on as normal, but of course, we will.

Theatre

National Theatre (Lyttleton)

Lindsey Ferrentino: Ugly Lies The Bone

 

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This was a grim play with odd moments of comedy. Kate Fleetwood played the returned war hero very well, onstage for almost the whole play, wearing prosthetics and bandages throughout. This was a 90 minute, no interval play, and it was long enough. The set was interesting, largely empty, with elements on rails to ease changes of scene. The “virtual reality” lighting and projection was impressive. I had hoped that Kris Marshall would get a chance to show a bit more of his acting range, but sadly, he was given the role of yet another affable buffoon. Three stars for this. But the Lyttleton is looking in need of a little tlc.

Jermyn Street Theatre

Stephen Unwin: All Our Children

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Another grim offering, based on recent history. The idea that disabled children are dispensable, a drain on society is chilling. The acting was good, and I give five stars to Frau Pabst (Lucy Speed). Jermyn Street is tiny and the audience are practically onstage. I like this little theatre very much, and not only because they sell wonderful stem-ginger ice cream. This was another no-interval play, as seems to be fashionable nowadays. Four stars for this one.

Young Vic

Bertold Brecht: Life of Galileo

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This was wonderful. It had everything. Excellent acting, especially Brendan Cowell (Galileo), who was stellar. There was music (brilliantly composed by the Chemical Brothers), planetarium-style projection, subsonics that rattled my bones, puppetry, dancing…  And some serious science. I’m glad I hadn’t opted for stage seating, which took the form of sponge cushions on the floor. The bench seating was fine – only becoming slightly uncomfortable towards the end of the three hour play. Interestingly, I had a ticket for seat D31, but row D went from seat 30 to 32 with no sign of an actual seat 31. I sat in 32, and luckily, no one came to claim it. Five stars for the Young Vic for this one.

Books

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Two crime fiction offerings this week. Why Did You Lie is a proper Scandi-noir story. Multiple viewpoints, three seemingly-separate plot strands, angsty cop-with-a-problem. It was a good read, but it left a number of threads unresolved. I wonder if there will be a sequel?

I picked up the first in the Grantchester chronicles because it was (a) cheap and (b) a familiar story from a TV series. It was very reminiscent of Chesterton’s Father Brown  stories, rather more gentle than the TV programmes, and I look forward to reading the rest of the series, wherein Sidney promises to move up through the ranks of the clergy.

 

Week 19

Another “exhibitions” week.

The Wellcome Collection

Electricity: The Spark of Life

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This was surprisingly comprehensive for a free exhibition. The exhibits spanned the whole of human history, from lightning to modern power generation, and included art as well as artefacts. “Pure” science was well-represented, and Galvani loomed large. The film of a frog in zero gravity was oddly sad, but it was an interesting inclusion. The exhibition itself was well laid out, following a timeline from ancient to modern. Well worth seeing, even if you are not science-minded.

The British Library

Russian Revolution: Hope, Tragedy, Myths

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This is the second Russian-revolution-themed exhibition I have visited in this centenary year, and despite it having no Kandinskys for me to drool over, it was by far the better experience. Obviously, as a library exhibition, the main focus was on text and illustration, but there was enough archive footage, flags and realia to make this really interesting and worth the admission fee. The layout was exemplary. It was not possible to miss anything, there was ample seating for those who, like me, need a rest now and then, and the exhibits were very well chosen. My only gripe is  the prohibitive cost of even the paperback version of the catalogue.

Public art

Eduardo Paolozzi: Newton

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This is one of my favourite pieces of public art. I do like a big bronze, and this one has a sense of gravity (heh). It sits on a huge plinth outside the British Library, and I couldn’t walk past it without taking a snap.

J C F Rossi: The New St Pancras Church Caryatids

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Another favourite of mine. I was surprised to discover that they are made of terracotta, around a steel core. They look very much like ancient stone. The church faces on to the Euston Road, and is grade 1 listed, so these ladies will be around for a while.

Books

Only one book this week, and it was a disappointment.

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I like Inspector Montalbano a great deal, in both his TV incarnations, and I expected to like this. Sadly, the book does not read well. It feels like a caricature of the TV programme, rather than a “proper” crime novel in its own right. I know the books came first, so I imagine this must be a poor translation.  Catarella comes off particularly badly, and that is a shame. Even the food descriptions are poor. I don’t recommend this.

Week 3

Culture

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I didn’t manage to see this live in the theatre, but thanks to the wonders of modern technology, I was able to see a matinee performance “as live” at the cinema. It was wonderful. These two actors are still at the very top of their game, and they are perfect foils for each other. A brilliant way to spend a winter afternoon.

Books

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Only the one this week. I have been meaning to read this for a while now, and I really wanted to love it. Sadly, it doesn’t match up to “Mockingbird”, and I found the ending unsatisfactory. No spoilers here. Make your own judgement.

The world 

Still reeling from Donald Trump’s inauguration. The Women’s March topped off the week, and this was my favourite image, making this week’s blog a Knight sandwich. It is such a joyful picture. And I really want his scarf.

(Note: this is not my picture. I admit to finding it on the web and I will remove it from here if the owner objects).

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