Week 33

An interesting mix of things this week.

Opera

Arcola Theatre: Grimeborne Festival

Kurt Schwitters/Lewis Coenen-Rowe: Collision

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This is described as part sci-fi, part Weimar-decadence, and is a short ( hour and a half straight through) opera, set in prewar Berlin, with an end-of-the-world plot involving a large green globe on a collision course with earth. I have to say, there wasn’t much sci-fi to be had, and perplexingly, all the lighting effects were blue and red. So, no sign of a green globe,  but there was a bit of Cabaret-style decadence. Casting a high soprano as the (male) chief of police was odd, especially as the soprano was scantily clad in a thankfully well-engineered red brassiere. The other voices were strong, apart from the inevitable weak tenor. The music was performed by a live band, and was very good. The set design and costumes looked very amateurish, but this was possibly deliberate. Overall, this was an enjoyable performance, well up to fringe standards

 

Tod Machover: VALIS

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This is another short, sci-fi opera, based on the VALIS novels by Philip K Dick, and available to download free.

I really liked this, even if I didn’t fully understand it. You can make your own judgement-  read more and listen to it here

 

Literature

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On August 15th, 1947, India was partitioned and Pakistan was born. To commemorate this, the BBC broadcast a dramatised adaptation of Salman Rushdie’s Midnight’s Children. I binge-listened to all seven episodes on August 15th 2017.

I had read the novel, quite a few years ago, and liked it. I liked this version too.

SUMMER reading challenge

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The challenge comes to a successful early conclusion with R for Runcie. This is the fourth Sidney Chambers book, and one in which the female characters have become particularly grating. I go on reading these in the hope that something dire will happen to Amanda, Helena or the irritating Hildegard.

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Week 31

This week’s cultural outings took me to the Isle of Dogs and Blackfriars, both parts of London better known for commerce than art. Both were fringe performances, both tiny venues and tiny casts, both biographical accounts.

Theatre

The Space

New Diorama Theatre: 12 Million Volts

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This was an interesting account of the life of Nikola Tesla, performed with a lot of fast-paced physicality by the cast of three men and one woman, who interestingly, did most of the heavy lifting in the show. There was some very clever use of lighting, including backlighting and projection on a bubble-wrap screen – something I hadn’t seen before. I enjoyed the play, but was disappointed that there was no sign of a Tesla coil.

Opera

Bridewell Theatre: Opera in the City Festival

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My first “festival gig” was the second biography this week:

Andrew Bain: Lanza

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This was less an opera than a monologue with arias. It was sung very well by Andrew Bain, who is clearly a Mario Lanza fan. I like a good tenor voice, and this was very enjoyable, despite a very distracting shirt-buttoning mishap in the first act.

 

SUMMER book challenge

My second “M” is Montefiore.

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I like a tale of Russian intrigue, so I was looking forward to reading this.

It was okay. An easy read, a fairly obvious ending, but I didn’t warm to Sashenka at all, and I didn’t really like the neat way it was all tied up at the end. A bit disappointing, as the author is so lauded.

 

 

Week 30

A quiet week in cultural terms. I was out quite a lot, but only in shopping centres. My opera, like my reading, took place on the sofa.

Opera/TV

BBC Proms

Beethoven: Fidelio

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This is Beethoven’s only opera, and I had high hopes. It was obviously concertised rather than staged, and had some good characterisation by the ingenue couple, Marzelline and Jaquino (Louise Adler and Benjamin Hulet). Stuart Skelton as Florestan was excellent, but the whole thing was let down by the supposed main character Leonore/Fidelio (Ricarda Merbeth), who screeched her way through the performance. James Cresswell did well as Rocco, particularly as he was a last-minute stand-in and was “on the book”. Sadly, I felt the ending was a bit limp, and I would have liked more chorus work.

SUMMER reading challenge

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Marra is the first of my two “M” authors. This book was not my usual fare, but I enjoyed it very much. The characters all go through nightmares of one sort or another, and I felt that these were real people undergoing real trials. We don’t get a happy ending all round, but in life, who does? I recommend this heartily.