Week 43

A busy week this week.

Ballet

Royal Opera House Live/ Odeon Cinema: Alice’s Adventures in Wonderland

 

FullSizeRenderI love that the big companies live-stream events. The cost of good seats at the Opera House is prohibitive, and I wouldn’t be able to see nearly as many ballets, operas etc as I do. This production of Alice is contemporary, bright, and features a brilliantly comedic Red Queen, a clever puppet Cheshire Cat and a lively tap-dancing Mad Hatter. Brilliant fun, and local, too.

Gigs

The O2 Arena: Metallica

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I looooove a big rock gig, and they don’t come much bigger than Metallica.
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The support act were impressive. A Norwegian band called Kvelertak, whose singer appeared on stage with an owl on his head.

IMG_1046Metallica were amazing, as always, and I thoroughly enjoyed both the old and the new songs. I got the chance to wear a pop culture icon – the leather biker jacket, and to sing ( or shout) along with some of my old favourites.

 

The British Library: Tiger Lillies

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This little gig was a jewel.  I really like this band, and this was a chance to hear their album Cold Night In Soho played live for the last time ever. The British Library was a strange venue for a gig – more on that later.

Other events

The British Library: Harry Potter – A History of Magic

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This was the British Library’s late night event celebrating J K Rowling’s creation and the history of “magic” in general. The exhibition was well laid out, and the Harry Potter theme certainly drew in a crowd. My focus was the Tiger Lillies gig, which formed part of the evening’s entertainment, but I did come away with a Slytherin scarf.

 

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Week 41

Last week, I saw The Strange Case of Dr Jekyll and Mr Hyde, wherein the female lead begins as a singer at Wilton’s music hall. By strange coincidence, I was at Wilton’s myself this week, and a wonderful place it is, too.

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Wilton’s Music Hall

Les Enfants Terribles: The Terrible Infants

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IMG_1018The play in question was a sort-of musical, a little like the offspring of  Shockheaded Peter and Oyster Boy might be, if you can imagine that.

The actor-musicians were very good. The story was pretty much what I expected – cautionary tales aimed for a mixed audience. A lot of the action was through ingenious puppetry, which was excellent. The theatre space was fabulous. Seating was more comfortable than I expected, and I had a jolly good time. The only downside was the awful walk from Shadwell along Cable Street. A warning to fellow pedestrians – go via Aldgate East and Leman Street. It won’t be much quicker, but it will be more pleasant.

Reading Challenge

I haven’t managed to actually read anything this week, but I did win a competition to win what I thought was one audio book, but which turned out to be three audio books.

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Week 33

An interesting mix of things this week.

Opera

Arcola Theatre: Grimeborne Festival

Kurt Schwitters/Lewis Coenen-Rowe: Collision

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This is described as part sci-fi, part Weimar-decadence, and is a short ( hour and a half straight through) opera, set in prewar Berlin, with an end-of-the-world plot involving a large green globe on a collision course with earth. I have to say, there wasn’t much sci-fi to be had, and perplexingly, all the lighting effects were blue and red. So, no sign of a green globe,  but there was a bit of Cabaret-style decadence. Casting a high soprano as the (male) chief of police was odd, especially as the soprano was scantily clad in a thankfully well-engineered red brassiere. The other voices were strong, apart from the inevitable weak tenor. The music was performed by a live band, and was very good. The set design and costumes looked very amateurish, but this was possibly deliberate. Overall, this was an enjoyable performance, well up to fringe standards

 

Tod Machover: VALIS

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This is another short, sci-fi opera, based on the VALIS novels by Philip K Dick, and available to download free.

I really liked this, even if I didn’t fully understand it. You can make your own judgement-  read more and listen to it here

 

Literature

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On August 15th, 1947, India was partitioned and Pakistan was born. To commemorate this, the BBC broadcast a dramatised adaptation of Salman Rushdie’s Midnight’s Children. I binge-listened to all seven episodes on August 15th 2017.

I had read the novel, quite a few years ago, and liked it. I liked this version too.

SUMMER reading challenge

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The challenge comes to a successful early conclusion with R for Runcie. This is the fourth Sidney Chambers book, and one in which the female characters have become particularly grating. I go on reading these in the hope that something dire will happen to Amanda, Helena or the irritating Hildegard.

Week 32

This should have been an interesting week. I was going to see Titus Andronicus,  a Shakespeare play I have only ever seen excerpts of. In addition, it was the last week of the Opera in the City festival, and I had tickets for a couple of new pieces.

Sadly, life intervened, in the form of illness in the family, and I didn’t get to any    of the things I had booked. Once again, it was a couch culture week.

Musical Theatre/TV

BBC Proms

Rodgers and Hammerstein: Oklahoma!

 

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This was a lively, semi-staged version of an old favourite. A bright spot in a dark week.

 

SUMMER reading challenge

IMG_0502E is for Eco. This was a bit of a variable feast. In some parts, it was a fast and lively murder mystery; in others a tedious wade through pages of description or chapters of historical detail. I found it hard going, although the central story had me hooked. I might revisit this one day, as I am not sure I really did it the justice of  giving it my full attention.

 

 

Week 30

A quiet week in cultural terms. I was out quite a lot, but only in shopping centres. My opera, like my reading, took place on the sofa.

Opera/TV

BBC Proms

Beethoven: Fidelio

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This is Beethoven’s only opera, and I had high hopes. It was obviously concertised rather than staged, and had some good characterisation by the ingenue couple, Marzelline and Jaquino (Louise Adler and Benjamin Hulet). Stuart Skelton as Florestan was excellent, but the whole thing was let down by the supposed main character Leonore/Fidelio (Ricarda Merbeth), who screeched her way through the performance. James Cresswell did well as Rocco, particularly as he was a last-minute stand-in and was “on the book”. Sadly, I felt the ending was a bit limp, and I would have liked more chorus work.

SUMMER reading challenge

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Marra is the first of my two “M” authors. This book was not my usual fare, but I enjoyed it very much. The characters all go through nightmares of one sort or another, and I felt that these were real people undergoing real trials. We don’t get a happy ending all round, but in life, who does? I recommend this heartily.

Week 26

Halfway through the year, and I have kept my resolution of doing something “cultural” every week.  So far…

Theatre/Cinema

National Theatre Live

Yaël Farber: Salome

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I must admit to booking this under the impression that I was booking to see the RSC gender-bending version of Oscar Wilde’s play. (It was cinema-live, an easy mistake to make).

This version was touted as a feminist play, from a female viewpoint, but I’m not sure that anything with two on-stage rapes of the main character quite works in that way. The staging was imaginative, using the Olivier’s revolving stage very effectively. Costumes were good, acting was very stylised. The script switched between English and Arabic, with occasional subtitles helping the audience along. This was lovely to look at, but a bit short on substance. The best part was the beautiful throat singing of the two serving women.

Music

ENO at the Royal Festival Hall

Elgar: The Dream of Gerontius

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This was billed as a semi-staging, but it really wasn’t. There was an interesting lighting rig, and a lot of haze, but otherwise it was a straight concert performance, of the type that the Festival Hall was made for. The ENO chorus were breathtaking, and the 90 minutes sped past. The soloists were good (Gerontius himself being the weakest of the three); Simone Young kept the orchestra under firm control, and the performance received a well deserved extended ovation.

 

Books

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I haven’t actually finished any books this week, but I did come across a nasty little dystopian short story by Shirley Jackson. This was written in 1948, and there is a 1950s radio version you can listen to here.

Week 21

This week started badly, with the horror of the Manchester bombing. I had tickets for a big gig just a few days later, and it was with not a little trepidation that I took a deep breath, donned my biker jacket and headed out…

Gigs

O2 Arena: Iron Maiden (Book of Souls Tour)

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When rock legends are playing in your home town, you just have to go. These guys really are legends, and the show was terrific. A mix of old and new songs, a fantastic stage set, pyrotechnics that nearly took my eyebrows off. They finished with the now-obligatory selfie of themselves and the audience. If you look closely, you might be able to see me – I’m the one waving…

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Security was of course very tight; my first encounter with armed police was more than a little unnerving, and the ticketless entry system led to long queues in addition to the already long queues for the electronic-arch-and-patdown security stations. Once inside, we headed for the food and drink franchises (shocking prices), and my companions found a small merchandise stall, where they were able to bypass the enormous crowd of people trying to buy t-shirts at the main merch stand outside the arena proper. All in all, it was a great night. The joy of screaming the lyrics of an old favourite song, along with thousands of other people of all ages, nationalities, genders, colours was a much-needed catharsis at the end of a tense week.

 

Books

I didn’t manage to finish anything this week, so I spent a little time putting together a “bingo grid” for my reading challenge.  Last year’s was pinched from the internet, and worked okay. I’ll stash it here and come back to it at the end of the year. Please feel free to use it if you want.

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