Royal Shakespeare Company:The Tempest
I really wanted to see this particular production, but couldn’t get to it in Stratford on Avon (too far) or on its London transfer (the Barbican, terrifyingly easy to get lost). Luckily, with the wonders of modern technology, I was able to see an encore “as live” performance at the cinema. I loved this. The use of motion-capture for Ariel was inspired, and Simon Russell Beale’s Prospero was perfect casting.
Blackeyed Theatre: Frankenstein
This was a fairly faithful-to-the-book production, which I enjoyed immensely, despite the theatre being an absolute ice-box. It was probably the coldest day of the year, and there seemed to be no heating at all- fitting for the opening scenes of the play, in the arctic ice, I suppose.
The cast was small (5 actor-musicians), who produced very good weather effects with a range of percussion instruments. The creature was played by a wonderful puppet, animated and voiced by two, sometimes three of the cast working together . This play is likely to go on tour, and I thoroughly recommend it.
Opera North: Das Rheingold
I love the Ring, and this was a chance to see a new and acclaimed performance of the first opera in the cycle. I had hoped for a more “staged” performance, but I ended up enjoying it very much. I particularly liked the Loki (Loge) in this production, which was broadcast on radio, TV and via various web sites. I chose TV and the comfort of my own sofa. The three “main” works in the cycle are only available online, and I shall watch them at my leisure in the coming days.
The “I don’t know how to categorise this” section
Goldsmiths forensic psychology department: The Accused
This was an “immersive theatre” event, where the audience played the part of jurors in a murder trial. There was, obviously, a psychology aspect to the event, and it transpired that on the evening I attended, the audience were primed and manipulated to give a “guilty” verdict, which we duly did. The event was a bit of a pick and mix- there was a band, and dancing (with prizes); there was a film, and some good acting (and some not so good, but they were students, so this was to be expected). There were some problems with accoustics, and some confused instructions, which could have skewed the data that was collected. Overall, this was a very interesting evening, and knowing that I can be so easily influenced to give a particular opinion is food for thought.
Only one book this week ( I’ve been busy), but I am still well on track to meet my target of 100 books by the end of the year.
The Janissary Tree is the first in a series of period novels (set in nineteenth-century Istanbul) about Yashim, a eunuch detective who likes to cook. It was a good story, and I like the protagonist and his sidekick Preen, a transgender dancer of a certain age. I have a particular liking for “cooking” detectives, especially when there is enough description for me to be able to recreate the recipes. I shall read more of the Yashim books, I am sure.
Winner of 2007 Edgar Award