I’ve never been a fan of “big” musicals (with one or two exceptions- I loved Wicked and Starlight Express). I’m more of a fan of the small and quirky – Grinning Man; Frogs; the Tiger Lillies’ Rime of the Ancient Mariner.
So it was with a lot of doubt that I trotted along to the London Coliseum for Chess. The Colly isn’t the most comfortable of venues, unless you splash out for the posh seats, but I had a good view and some legroom in the circle, even if I was jammed into my seat by strange men on both sides (strange as in strangers, not as in weirdos). I compensated by claiming both armrests.
The set was modern. The show wasn’t. There were some very problematic moments (the Bangkok ladyboys being just one), but also some excellent theatrical moments. The Cirque du Soleil interlude was lovely, the two Russian dance routines were excellent (I really loved the one in Red Army uniforms- don’t judge me).
The orchestra and chorus were fantastic, and what a brilliant idea of having the orchestra above the stage.
The soloists’ voices all stood up well, and Alexandra Burke made Svetlana into a strong character. Finally, Michael Ball. Normally a singer I can take or leave, he really showed that musical theatre is his natural habitat.
I came out feeling energised. Four stars.