Week 48

Advent begins, the decorations go up, I dig out my playlists of Christmas tunes, and start my yearly quest to see as many versions of Dickens’s A Christmas Carol as I can.

Theatre

The Old Vic

Charles Dickens, adapted by Jack Thorne: A Christmas Carol

This was a beautiful, wonderful production, with some excellent moments, from the mince pies and oranges given away at the start of the show by Victorian street sellers, through the brilliantly over-the-top weight of Marley’s chains to the beautiful snowfalls during the second act. There was some mucking about with the text, but nothing that harmed the story. Go if you get the chance.

Books

Time to dust off my winter shelf.

Reading challenge

Two books this week, bringing my total to 84.

99 Red Balloons was a little confusing. I felt there were to many PsOV, and it was difficult to remember what was happening when. The villain was a surprise, I must admit, but I think more could have been made of the song the book was named for.

The second book was another of my prize audiobooks. This was one I had seen as an adaptation for TV, so I was listening out for differences between the two versions. I have discovered a liking for audiobooks, which surprises me.

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Week 12

A shocking week. Everyone will remember it for the act of terrorism outside Parliament. I wasn’t in central London on the day it happened, but I shudder to remember that I was in the exact spot just the day before. The day after, I made the same decision as most other Londoners, and carried on as normal (or as near as possible, given bus diversions and other necessary disruptions.)

 

Theatre

Jermyn Street Theatre

Stephen Sondheim: The Frogs (adapted by Nathan Lane)

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Jermyn Street is such a tiny theatre that you wouldn’t think they could fit in a cast of more than two or three, but for this quite wonderful production, they managed a four piece band, a chorus of six really good singers, and three principals. The set was minimal- looked like the inside of a copper tank, with visible rivets and pipe work, and minimalist lighting supplied by those fancy light bulbs with the coppery glowing filaments. Costumes were all-black “found items” with copper highlights (copper spectacle frames for one character, copper belt for another etc). The chorus were given a Greek half-mask effect with metallic copper face paint. The change from human chorus to frog chorus was effected by putting them all in tailcoats. Altogether, this was a very clever production, with wonderful music and voices,  and I am really glad I made the decision to go on the day after terrorist action a few streets away. I wasn’t alone. The theatre was sold out, and deserved to be.

 

Exhibition

Westminster Cathedral 

Cross the World- Building Bridges with Wood

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An exhibition of wooden crosses and crucifixes from around the world, exhibited here in advance of their eventual permanent installation in the Museum of the Cross in Lorraine, France. Highlights for me were mother-of-pearl inlaid crosses from China, and a cross made from  the wreckage of a boat washed up at Lampedusa. This was a small exhibition, hidden away in a side chapel (note: this was the Roman Catholic Westminster Cathedral, not the nearby Westminster Abbey), and was poorly signposted. Coincidentally, while I was there, children were rehearsing their version of the passion play at the main Cathedral altar-told with the POV of various trees (e.g. a tree in the garden of Gethsemane), and it was quite lovely to listen in.

 

Pop culture icons

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(RED) is a charity set up to help combat AIDS. A variety of manufacturing companies produce “special” red variants of their popular items and donate part of the sales price to the charity. Apple is one of the participating companies.I upgraded my iPhone ( itself now a cultural icon) and got the red one, which I love.

Books

Kazuo Ishiguro: Never Let Me Go

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A bleak, dystopian novel set in a pretty near future England. Another first-person POV, which I don’t really like, although I do understand why it is written that way, as it allows the author to bypass a lot of explanation of the world they have imagined. This is a science-based future, rather than an ideology-based one, which makes it slightly less scary just now.