Slowly getting back to normal.
National Theatre at the Gielgud
Mark Haddon, Simon Stephens: The Curious Incident of the Dog in the Night-Time
This is a play I have been wanting to see for a long time. I would have dearly loved to see it in its first incarnation at the Olivier, but this was a good second-best. The only problem I had was the back-projection of “Christopher’s” drawings, which was faint and difficult to read sometimes from my seat halfway back in the stalls. I had read the book, a long time ago, and I knew that Marcus du Sautoy had been involved with the realisation of the right-angle-triangle problem in the encore ( a masterful stroke, and a pity that only half the audience stayed for it). The script stayed very true to the book, and as a bit of a geek, I enjoyed the hints of maths and science that were injected here and there. I’m not sure that the portrayal of an autistic teenager is true to life, but it is good to see difference portrayed sympathetically.
Book 41 towards my target 100 for this year is The One, a sort-of dystopia, sort-of crime novel that doesn’t really work on either level. I didn’t feel any real empathy for any of the multiple protagonists, and all the storylines ended up being too neatly resolved. The DNA-match idea behind this book is clever, and could have been made much more of. 2 stars.